Aram Vidal was born in Cuba. He graduated in Communication at the University of Havana. His work has focused mainly on documentary films.
In his trilogy composed by De Generación (Cuba, 2007), Ex Generación (Mexico, 2009) and El pez azul (Cuba/Mexico, 2017), he addresses Cuba's political and social conflicts, from the perspective of young people and those who have emigrated off the island. His own experience as a migrant in Mexico since 2009 has led him to address the issue of exile and cross-cultural identity.
A more dreamlike and experimental look marks his short fiction films Recursivo (2012), Relevo (2013) and Gato (2016). In these films, originally scripted, he explores in an unusual way the topics of fear, madness and love, approaching the thriller genre.
His documentaries and short fiction films have been screened at dozens of festivals around the world, including Clermont-Ferrand, Havana Film Festival (Documentary Award), Gothenburg Festival, Entr'2 Marches at Cannes (Best Fiction Script award), Santiago Alvarez International Festival (Documentary Award), Los Angeles Cinefest, New York Film Week, Amsterdam Film Festival, Miami Independent Film Festival and Rhode Island Film Festival.
Vidal has also written for several magazines and published the book of short stories La gente sí se da cuenta (Pinos Nuevos Award, 2007). He is also co-author of the essay books "The cinema of Cuba" (2017) and "The digital author" (2019).
He currently works as an independent director and producer. In recent years he has focused on collaborating with environmental organizations, such as If not us then who and Climate Action Network, producing stories that promote solutions to the main climate and social problems of our time.
THE BLUE FISH
After leaving Cuba, Ernesto try to put the past behind him, including the love of his life.
A group of young Cubans express their contradictions with the political project builded by their elders.
A group of young Americans reflect on their generation and the spirit of an era marked by disenchantment and apathy.
A woman takes her boyfriend in a wheelchair to a picnic on a lake. She will do everything she can to make him happy before the next morning arrives.
In a psychiatric asylum, a patient tries to remember the events that led him there. Recovery becomes more difficult as reality and fantasy mingle.
Two women wake up naked in a strange room. They have no idea how they got there, nor do they recognize each other. Worse still, they seem to be trapped in a dead-end room.
BEST FICTION SCRIPT